NOW IN PRODUCTION: ‘HEARTBBREAK’
After having her heart ripped out of her, undead ‘Blue Girl’ haunts her own halls. Retelling old horror stories of deceased love, driving herself to be blinded by her emotions and fueled by getting revenge on the one who took her heart.
The official campaign has just wrapped and we’re now in production! Follow Witching Hour Animation to stay up to date with our process!
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‘QUARTERMAIN AND VICTORIA’ - ANIMATED MUSIC VIDEO
Following a pair of private detectives with otherworldly abilities, Victoria and QuarterMain depicts a steampunk dystopia in which every move you make is being watched...
This music video is a client project for the ‘Funkrust Brass Band.’
On this project I have crew as … director, production designer, character modeler, texture artist, lighting artist, prop modeler, compositing artist and environment artist.
CHARMING DISASTER’S ‘TIME MACHINE ’ - ANIMATED MUSIC VIDEO
To coincide with their new album ‘The Double,’ the folk-goth duo Charming Disaster reached out to collaborate to bring the visuals of their song ‘Time Machine’ to life.
Following two time travelers, Time Machine is a loose, experimental, story focused on the idea of connection between others despite being separated by time.
On this video I served as director, production designer, character modeler, texture artist, lighting artist, prop modeler, and compositing artist.
It has been a fun, yet challenging experience - I have grown a lot as an artist by making decisions on the fly given the tight time-frame. This project is essentially a team of two - myself and my animator Katie Limentato.
Holiday Ad with Kahwa Coffee
For the holidays, I had the idea to collaborate with a coffee company local to St Pete, Florida, to promote their holiday blend and drinks.
Although short in duration, I used this opportunity to flex all my muscles of the CG pipeline.
I modeled a character in Zbrush with full body retopology, done in Maya, I textured her using Substance Painter, and Substance designer for her sweater material, I did the lighting in Unreal 5.5, and did the compositing and rendering out of Nuke.
This was a super great experience, and I hope it opens the door to do more promotional material like this in the future!
